Hocus Pocus Villain Spelltacular Villains Gardens Villains Night Out!Betty Lou Gerson (original)April Winchell (TV series and 101 Dalmatians: Escape from De Vil Manor)Tress Mac Neille (TV series; "Close But No Cigar" and "The Fungus Among Us" only)Susanne Blakeslee (1998–present)Barbara Goodson (Disney on Ice)Evil, sarcastic, ambitious, greedy, relentless, rude, reckless, psychotic, decadent, chic, egotistical, bipolar, selfish, short-tempered, cruel, ruthless, sadistic, glamorous, obnoxious, insane, obsessive Cruella De Vil is the main antagonist of Disney's 1961 animated feature film, One Hundred and One Dalmatians.Indeed, his colleagues criticized him as he worked; Frank Thomas felt that the head was too skull-like, while Milt Kahl demanded to know why Davis had to "make her feet so damn big".

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Perhaps the most famous incarnation of the character was developed for Disney's 1961 animated adaptation, One Hundred and One Dalmatians by story man Bill Peet and animator Marc Davis.

The Disney villainess proved successful and has led to appearances in other media and is a primary member of the Disney Villains franchise.

Unlike future versions of the character, this version of Cruella was seemingly invincible in the eyes of the Dalmatians, who, though they could just about be able to keep Jasper and Horace Badun at bay, were unable to face "that devil woman".

Their only hope was therefore to flee; Cruella's defeat in the film is brought about not through the deeds of the animals but her own stubborn relentlessness (which, by the end of the film, has seemingly degenerated into a mad fury), and the incompetence of her henchmen.

When performing, Gerson was intimidating even to the other actresses working with her.

She was the primary inspiration for Marc Davis when animating Cruella.

The disheveled style of Cruella's hair was inspired by hairdos seen in magazines between the 1940s and 1960s.

The long green cigarette holder was modeled on one used by Davis himself.

Though Cruella's basic appearance inherited several visual traits from Dodie Smith's original novel - her half black, half white hair; her black dress; and her enormous mink coat, which swings about her like a cloak - the character's design in the film was developed by Bill Peet, Ken Anderson, and Marc Davis.