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Compressing tracks to the point where the EQ is harshly in-bedded can create issues. It’s best to get into some kind of practice for yourself when it comes to labeling because your engineer will love you for it.Use proper names on all tracks and not just basic numbers that no one can follow. Stick with common names and you will save yourself and your engineer a lot of frustrations.
You want your event to be something that helps those in attendance make memories.
It is important for you to do what you can to make the event special, and that includes spending some time planning it out and figuring out just how everything is going to go.
Just because you may have the option to do unlimited tracks doesn’t mean you need them – only use the ones you want.
Leave the sorting out process to work on prior to getting your raw tracks mixed.
This is so important because giving the audio engineer a track you didn’t intend takes up precious time as well. If you go for a desired pop sound, then make sure you do pitch and tone correction as much as you can before sending tracks off to do a mix.
If you find bad edits, additional noise or pops then clean them up immediately before starting your mix. Further make sure to turn off all effects and processing so you don’t overwhelm your engineer with tracks already rendered.
If you have an older crowd coming to the event, you might want to pick songs that they loved when they were a little younger.
When you are picking out music for a paintball event, you want to think about the mood that you would like the event to have, overall.
When you get organized with your raw tracks, you can then look at EQ.
This can be really powerful when you use the EQ plugins.
Consider taking off over processed tracks on your raw material as this can simply create frustrations and headaches in the mixing process.