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The hot irons were then applied to the hair, potentially leading to singed hair and even baldness.Heated waving irons were also used to create frizz – from soft and fuzzy edges on the fringe to curls along the nape.Visitors to the site can then rate the images, either with an indicative thumbs up or a “cute but not my type” thumbs down.
There was a distinct lack of diversity in the entries, with scientists noting that the majority of men on Tube Crush were white, despite London’s multi-cultural population.
They also found that the photos placed an emphasis on muscular body parts, suggesting that many deem physical strength a particularly attractive quality.
A pompadour could be dressed in all manner of styles – the hair could be straight or have a wave or curl to it.
The hair could be simply swept up with a bun, or feature soft coils, chignons and fuzzy curled fringes.
Lovely examples of Edwardian hairstyles (L to R): a rounded pompadour; a more elaborate pompadour style; a teenager’s “crowning glory” plaited with a ribbon bow; a late Edwardian style suitable for the large flat cartwheel hats.
Curls were in and Edwardian women had curling irons that were heated in the fire.
Women in Britain and America, being influenced by Paris, had very similar hairstyles.
Music Hall was tremendously popular in Edwardian days and the operetta “The Merry Widow” by Viennese composer Franz Lahar gave rise to the style of feathered hats worn in the production to be known as “Merry Widows”. Portrayed in the satirical pen-and-ink-illustrated stories created by illustrator Charles Dana Gibson in America, the perky Gibson Girl was the epitome of the feminine ideal from the late Victorian era to the early 1910s.
Finally, they noticed that the images tended to focus on and celebrate symbols of wealth, such as high-end phones, expensive-looking suits and smart watches.